Fairytale forest

fairytale forest

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Fairytale Forest Video

Efteling - Sprookjesbos HD (Fairytale Forest) FULL WALK THROUGH

This story has been depicted, since the park opened, by a well. At the bottom of the well images are projected by Anton Pieck while a voice tells the story.

Since the winter of , Mother Hulda is present in person with a new animatronic. If called upon, she opens the shutters of the cottage next door and shakes her pillow.

And as in the tale, it starts to snow. The scene was designed by Anton Pieck. Little Red Riding Hood and the wolf entered Efteling in , made of wood, as an outdoor scene.

Little Red Riding Hood knelt in the midst of flowers while the wolf watched her from behind a tree. One can look through the window and listen to the story, told by Wieteke van Dort.

On October 4, , it was stolen again and found at a retirement home in Kaatsheuvel. In , the house was rebuilt, with new building techniques.

Also in , the animatronic of the crow Krakeeltje was renewed with new movements. The scene contains a little dance floor with two red shoes dancing, covered by a porch roof.

Visitors can listen to the story, told by Wieteke van Dort, after which the shoes dance to the music of "The Clog Dance" by Jan van Oort.

The original story by Hans Christian Andersen has been adapted to be more suitable for young children. In the adaptation, the straps of her shoes are cut, after which the girl can stop dancing, but the shoes keep moving.

The shoes are moved by two rotating discs with magnets , a mechanism developed by Peter Reijnders. Hansel and Gretel was designed by Anton Pieck and presented to the public on June 20, Gretel sits by the cage in which Hansel is held in the garden.

In the late seventies, the wood figures were replaced by moving animatronics. An interactive element was added by Peter Reijnders: Designed as Het Bruidskleed van Genoveva.

Presented in the area of Snowwhite as coloured pigeons. Since June , the pigeons are white instead of coloured. The story is staged in front of a building surrounded by an Indian tulip garden.

The fakir appears in a window playing his flute, which makes the tulips grow. He then disappears and shows up in the tower with his magic carpet and flies to the other palace tower, using an ingenious system of discreet cables developed by Peter Reijnders which gives the illusion of a real levitation.

He plays his flute again to open the tulips there, and in the meanwhile the other tulips close. The Indian Water Lilies is a walk-through attraction.

Visitors walk into the show area to experience the three-dimensional tale. The consistency and style of the music, lighting, decorations and animatronics can be found in many other rides built later, like Spookslot, Fata Morgana and Droomvlucht.

Peter Reijnders wanted to create this ride to commemorate the 15th anniversary of Efteling, and went to the Royal Castle of Laeken at Laken for an audience with Queen Fabiola of Belgium.

The queen agreed to let the Efteling use her story, which she had published in a book of fairy tales entitled Los doce cuentos maravillosos , on the condition that a contribution to charity was made.

One enters the ride by walking through a cave leading to an Indian temple square with a large fountain, Indian decorations and two Indrajit giants.

Two large gates give access to a cavern leading to a subterranean jungle lake, enclosed by tropical plants, a creek and a roaring waterfall.

After the introduction tale has been told, the appearance of the singing witch summons the fairies to dance on the water lilies, guided by the music of a frog orchestra and singing geese.

The Little Mermaid made her appearance in , designed by Anton Pieck. She holds a fish that spouts water out of its mouth. The mermaid was renewed in It consists of a living room and a playing annex bedroom.

Six of the little goats play the Game of the Goose on a special Efteling-board designed by Anton Pieck. The youngest goat hides in the big clock.

The big bad wolf, dressed in a tuxedo, is at the front door. In , a squirrel was added on top of the roof. If one tries to steal the crown from the treasure chest in front of the dragon, the dragon starts growling and moving fiercely.

In , the dragon was upgraded to blow smoke out of its nostrils. The neck of the dragon has been shortened a few times. This was done because people could touch the dragon.

There are no specific tales attached to the Dragon. The animatronic Troll King entered Efteling in , for a total cost of 2. Although trolls are a widespread phenomenon in Scandinavian mythology , no particular tale is attached to the Troll King.

The Scandinavian myths inspired Ton van de Ven, who had illustrated a Norwegian fairy tale book in , to create this old, somewhat confused creature, sitting in a hollow tree, predicting the future of his visitors.

On a stone in front of the king, one can point at one of the twelve astrological signs at which the king will wake up and mumble some words.

Together with Hugo of Villa Volta , the king is the most complex animatronic in Efteling. The animatronic can move 26 parts of its body, including eyebrows, eyes, jaws, back and wrists.

In the scene, Tom Thumb is stealing the boot of the sleeping giant. To call Tom Thumb, you have to call his name in a log.

Based on the Grimm fairy tale , the scene was designed by Van de Ven as Repelsteeltje. Niemand weet, Niemand weet, Dat ik Repelsteeltje heet!

No one knows, no one knows, That my name is Rumpelstiltskin! On May 18, , Rapunzel made her appearance in Efteling in a 10 meter high tower.

The scene was designed by Ton van de Ven, who was inspired by towers from the Middle Ages. To create some publicity for the official opening, Efteling organized a contest to find the girl with the longest hair from the Netherlands , Belgium , Germany and the UK.

The winner was Patty Gisbers-Jenniskens from Heteren with a braid of centimeters. This tale opened during the Winter Efteling in for the th anniversary of the birth of Hans Christian Andersen.

This classic fairy tale was brought to life by Karel Willemen and entered into the park scene in It was designed as Assepoester. The visitors enter the mansion, where they can watch through a window and look into a dark room, where birds are eating beans and a large music box stands in the middle.

During the story, various elements make noise or are shown with a spotlight. These include a door, where visitors see the shadows of the stepsisters, complaining about Cinderella, and the music box, inside of which figures of Cinderella and the prince are dancing.

Then two animatronics of Cinderella and the prince are shown, with the prince fitting the glass slipper on Cinderella. Finally, two doors behind the pair open up, revealing a distant castle and a carriage traveling toward it.

In , Efteling began to build an interactive tree, De Sprookjesboom , designed by Pim-Martijn Sanders and Karel Willemen, in the Fairy Tale Forest based on the character from their animated TV series Sprookjesboom , but the plan was unexpectedly shelved until July , opening only on April 1, The tree is a wise old oak, which can speak and tell stories, typically about the other inhabitants of the Sprookjesbos.

It consists of 1, branches and 50, sheets. The tree has several effects besides speaking: It is home to several small animatronics, such as a squirrel, a woodpecker, a spider and talking mushrooms.

The old oak is located opposite The Little Match Girl, and is a structure 13 meters wide and 13 meters high. It is an outdoor fairy tale, and partly uses shadow puppetry to tell the tale.

When the emperor is carried to his palace naked, a fountain is used to hide his private parts, which is a comical addition to the attraction.

When the fairy tale opened, it was voiced by Toos van de Voorde-Verdult. The fairytale which was revealed to the public on the 24th of March depicts the story of the puppet who becomes a boy.

A few meters to the left of the shop the visitors can see monsterous fish which has devoured both Geppetto and Pinocchio who are visible when in opens its mouth.

Peasants who seldom if ever traveled far from their villages could not conclusively say that it was impossible that an ogre could live an hour away.

It is not itself enchanted, but it contains enchantments and, being outside normal human experience, acts as a place of transformation.

Even in folklore, forests can also be places of magical refuge. At other times, the marvels they meet are beneficial.

In the forest, the hero of a fairy tale can meet and have mercy on talking animals that aid him. In Schippeitaro , the cats reveal their fear of the dog Schippeitaro when the hero of the tale spends the night in the forest.

The creatures of the forest need not be magical to have much the same effect; Robin Hood , living in the greenwood, has affinities to the enchanted forest.

The danger of the folkloric forest is an opportunity for the heroes of legend. Among the oldest of all recorded tales, the Sumerian Epic of Gilgamesh recounts how the heroes Gilgamesh and Enkidu traveled to the Cedar Forest to fight the monsters there and be the first to cut down its trees.

Romans referred to the Hercynian Forest , in Germania, as an enchanted place; though most references in their works are to geography, Julius Caesar mentioned unicorns said to live there, and Pliny the Elder , birds with feathers that glowed.

The figure of an enchanted forest was taken up into chivalric romances ; the knight-errant would wander in a trackless forest in search of adventure.

John Milton wrote in Paradise Regained Bk ii. In Valentine and Orson , the Queen is sent into exile and so forced to give birth in the woods; one child, taken by a bear, turns to a wild man of the woods , who later aids Valentine, his long-lost brother.

This forest could easily bewilder the knights. Despite many references to its pathlessness, the forest repeatedly confronts knights with forks and crossroads, of a labyrinthine complexity.

In Jerusalem Delivered by Torquato Tasso , enchantments placed on the only forest near Jerusalem prevent the Crusaders from constructing siege engines for most of the epic poem , until they are broken by Rinaldo.

While these works were being written, expanding geographical knowledge, and the decrease of woodland for farmland , meant the decrease of forests that could be presumed magical.

There may be trees that talk or with branches that will push people off their horses, thorny bushes which will open to let people in but close and leave people stuck inside, and other plants that move, or turn into animals at night, or the like.

Some stories have sorcerers and witches living somewhere in the depths of the forest. The use of enchanted forests shaded into modern fantasy with no distinct breaking point, stemming from the very earliest fantasies.

From Wikipedia, the free encyclopedia.

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